Studio Cisco is not a brand or a collective. It is the long-running studio practice of David Cisco.
Over the years, Cisco has worked across multiple creative disciplines: graphic design, set and prop fabrication, museum and gallery installation, photographic and sculptural assistance, and independent sculptural work. Much of this work has been collaborative and behind the scenes—supporting other artists, designers, and institutions—alongside a parallel commitment to developing personal work at a slower, more exploratory pace.
That exploratory thread eventually led to the development of Golden Fibonacci Technology (GFT), a geometric system recovered through direct measurement and reconstruction rather than abstract theory. Related research projects, including The Velázquez Code, grew out of the same studio habits that shaped earlier physical work: measuring, building, testing, and revising until a structure either holds or fails.
Studio Cisco now functions as an umbrella for both object-based work—sculpture, stained glass, and constructed pieces—and research-driven projects such as GFT and its associated publications and tools. All of it remains rooted in the same premise: geometry is not decorative, symbolic, or speculative by default. It is something that reveals itself through sustained attention, material engagement, and patience.
This site presents current and ongoing work from that studio, without separation between “art,” “design,” and “research,” because in practice they have never been separate.